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Transition and the Historiographical Vagaries of Silent American Cinema
Film Studies Speaker Series: Prof Charlie Keil
When first introduced as a concept specific to early cinema in an essay for Cinema Journal in 1991, the notion of "transition" came firmly attached to the name and work of D.W. Griffith. Subsequently, it was broadened to apply to all American filmmaking from 1907-1913, and then later again to define a period that...
