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Sands 24: Mami Wata (12A)
Award-winning director C.J. 'Fiery' Obasi, imagines a fictional African village, not yet affected by the Western norms shaping the lands around them, but instead reliant upon the water goddess, Mami Wata, for survival. When the authority of the Goddess' intermediary, Mama Efe, is challenged, and the village's synergy is threatened, it is up to...
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Sands 24: Achilles (15)
Pay What You Can £10.00 / £8.00 / £6.00
In his directorial debut, Farhad Delaram takes us on a journey between cities in contemporary Iran. Farid, nicknamed Achilles, is a Tehran-based filmmaker who gives up on his artistic ambitions and instead, works the night shift in an underfunded hospital, disheartened by a political system entrenched in corruption and abuse. In the psychiatric ward,...
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Sands 24: Wolfwalkers (PG)
Pay What You Can £8.00 / £6.00 / £4.00
Wolfwalkers is the third and final installment of Tomm Moore's Irish Folklore Trilogy of acclaimed animated films, following The Secret of Kells (2009) and Song of the Sea (2014). Oscar-nominated, Wolfwalkers is a fantastical story of friendship, family, and fighting for what you believe in. Set in Ireland in 1650, we follow Robyn as...
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Sands 24: Mami Wata (12A)
Award-winning director C.J. 'Fiery' Obasi, imagines a fictional African village, not yet affected by the Western norms shaping the lands around them, but instead reliant upon the water goddess, Mami Wata, for survival. When the authority of the Goddess' intermediary, Mama Efe, is challenged, and the village's synergy is threatened, it is up to...
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Sands 24: Maestra (N/C 12A)
Pay What You Can £10.00 / £8.00 / £6.00
Five remarkable conductors from across the globe prepare for and compete in La Maestra --- the world's only competition for female conductors. Maggie Contreras' debut feature documentary delves into the lives of these women through intimate footage capturing their everyday moments --- from studying and rehearsing with families by their side to navigating the...
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Sands 24: Silent Roar (N/C 15)
Pay What You Can £10.00 / £8.00 / £6.00
Meet Dondo, a teenage surfer on the Isle of Lewis, grappling with the unresolved grief of his father's mysterious disappearance at sea. As he navigates the challenges of school, his crush on Sas, and the arrival of an eccentric new minister, Dondo's world is suddenly rocked by cosmic visions. Louis McCartney's portrayal of Dondo...
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Sands 24: Welcome to Collinwood (15)
Pay what you can: £20, £18, £16
The Russo brothers' second feature, Welcome to Collinwood, produced by Steven Soderbergh, is packed with offbeat charm and infectious energy. A motley crew of small-time crooks hatch a hilariously disastrous plan to pull off the ultimate heist in Collinwood, a rundown neighborhood in Cleveland, Ohio (the Russos' beloved hometown). The ensemble cast featuring George...
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Jean de Florette (PG)
Pay what you can £8.00 / £6.00
Co-adapted by director Claude Berri from a novel by Marcel Pagnol, this hugely successful French historical drama concerns a feud over a valuable spring in a remote farming community. City dweller Jean Cadoret (Gérard Depardieu) inherits the land when the original owner is accidentally killed by covetous farmer Cesar Soubeyran (Yves Montand). Soubeyran and...
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Sands 24: Orlando, My Political Biography (15)
Pay What You Can £10.00 / £8.00 / £6.00
(Orlando, ma biographie politique) Deftly weaving fact and fiction, Orlando, My Political Biography uses Virginia Woolf's classic novel to explore gender identity in unique and insightful ways. Leaping through genres including documentary, drama, comedy and musical, we follow more than 20 trans and non-binary interviewees as they each discuss their identities in relation to...
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The Collie's Shed
Pay What You Can £15.00 / £12.00 / £10.00
Based in a local Men's Shed in East Lothian, The Collie's Shed follows four retired miners as they discover how a review into the policing of the mining strikes in the 80's by the Scottish Government suddenly affects them, their friendships and their relationships. Journey with us between the past and present as we...