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Clear allByre Theatre (Selected) Divinity (Selected) Psychology and Neuroscience (Selected) Biology 19 Biomedical Sciences Research Complex 18 Business School 17 Centre for Energy Ethics 17 Chaplaincy 20Chemistry 19 Classics 18 Equality, Diversity and Inclusion (EDI) 18 Film Studies 16 Geography and Sustainable Development 17 Graduate School 17 History 20 Human Resources 17 Libraries and Museums 21 Management 17 Medicine 18 Museums Learning & Access Team 18 Music 18 Physics and Astronomy 17 Social Anthropology 20 Student Services 17 The Byre Theatre 17 University of St Andrews 19
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Godfather Death: A Grimm's Musical
The Avison Brothers present - Pay What You Can £15.00 / £12.00 / £10.00
Based on a little-known Grimm's fairy tale, this musical tells the story of one poor boy's journey through life, with Death as his Godfather....
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MacFloyd present All That Is Now
Pay What You Can £20.00 / £18.00
MacFloyd bring us their fresh new All That Is Now tour. Delivering an unforgettable journey through Pink Floyd's legendary discography, this eight-peice...
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Sands 24: Mami Wata (12A)
Award-winning director C.J. 'Fiery' Obasi, imagines a fictional African village, not yet affected by the Western norms shaping the lands around...
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Sands 24: Welcome to Collinwood (15)
Pay what you can: £20, £18, £16
The Russo brothers' second feature, Welcome to Collinwood, produced by Steven Soderbergh, is packed with offbeat charm and infectious energy. A motley...
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Sands 24: Mami Wata (12A)
Award-winning director C.J. 'Fiery' Obasi, imagines a fictional African village, not yet affected by the Western norms shaping the lands around...
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Sands 24: Achilles (15)
Pay What You Can £10.00 / £8.00 / £6.00
In his directorial debut, Farhad Delaram takes us on a journey between cities in contemporary Iran. Farid, nicknamed Achilles, is a Tehran-based filmmaker who...
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Sands 24: Wolfwalkers (PG)
Pay What You Can £8.00 / £6.00 / £4.00
Wolfwalkers is the third and final installment of Tomm Moore's Irish Folklore Trilogy of acclaimed animated films, following The Secret of Kells (2009)...
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Sands 24: Maestra (N/C 12A)
Pay What You Can £10.00 / £8.00 / £6.00
Five remarkable conductors from across the globe prepare for and compete in La Maestra --- the world's only competition for female conductors. Maggie...
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Sands 24: Silent Roar (N/C 15)
Pay What You Can £10.00 / £8.00 / £6.00
Meet Dondo, a teenage surfer on the Isle of Lewis, grappling with the unresolved grief of his father's mysterious disappearance at sea. As he navigates...
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Sands 24: Smoke Sauna Sisterhood
Pay what you can: £10, £8, £6
Anna Hints' atmospheric, almost mystical, feature-length documentary debut invites us to become part of a supportive, witty, sweaty female collective who...
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David Bowie and me: Parallel Lives
Jack Docherty - Pay what you can: £20, £18, £16
Following rave reviews and a sell-out run at Edinburgh Festival Fringe, the BAFTA award-winning star of Scot Squad and Absolutely, Jack Docherty joins us with...
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Sands 24: This Much I Know... with Karen Gillan
Pay What You Can £20.00 / £18.00 / £16.00
Scottish actress, director, and writer, Karen Gillan joins us to talk about her career in front and behind the camera, and to present two of her shorts,...
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Sands 24: An Afternoon With... Alan Silvestri
Pay What You Can £20.00 / £18.00 / £16.00
At the Laidlaw Music Centre, Queen's Terrace, St Andrews, KY16 9QF Join Alan Silvestri, Academy Award-nominated American composer and conductor of film...
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CHANGED DATE: Dr Yvonne Skipper (Glasgow): Interventions to help young people spot misinformation
School of Psychology and Neuroscience Seminar
Dr Yvonne Skipper (Glasgow): "But wait that's not real. Co-creating interventions to help young people spot online misinformation", hosted by...
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Sands 24: This Much I Know... with Debra Zane
FREE but please book
Award-winning US casting director Debra Zane offers a rare insight into how major films and TV shows are really cast, offering behind-the-scenes stories about...
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Sands 24: Sometimes I Think About Dying (N/C 12A)
Pay What You Can £10.00 / £8.00 / £6.00
Fran (Daisy Ridley) spends her days in a cubicle of a depressing Oregonian office, committed to avoiding any unnecessary contact with her coworkers. She...
