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Limited accessRace, Space and Access --- Zine Making Workshop on Art and Decolonisation
Writing about new ways of decolonising Art History, Susan Pui San Lok aptly argues that 'Trans- and anti-disciplinary activism, through artistic,...
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Stitching and Collaging the Archive
Creative Research Workshop
How can we explore archives differently? What can we learn about our sources when we engage with them creatively? In what way does creative practice develop new...
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Queering and Cripping Within Curatorial and Artistic Exhibition Practices
Please join us with speaker Sylvia Sadzinski for Session 2 of the Crip Art Histories Reading Group! In this talk, Sylvia Sadzinski draws on her chapter...
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Venice Biennale Fellowship Exhibition Opening
2025 British Council Venice Biennale Fellows Cheyenne Booth and Toby Berryman welcome you to the exhibition opening of Venice: il terzo posto at the School of...
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Limited access
Fold and sip: springtime origami and Japanese tea
Organised by the School of Art History's EDI Committee, with support from @79 Makerspace funding, this social event promotes diversity, inclusion and...
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Call for papers: St Andrews Postgraduate Symposium of Art and Culture
Revisiting the narrative
This year's symposium, organised by the School of Art History, convenes around the theme of 'Revisiting the Canon'. The canon refers to works...
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Modes of Compression: Aesthetics, Operations, Format
An international, interdisciplinary symposium
Like the bellows of an accordion, many human-made objects are designed to compress: to respond to external conditions through a series of contractions and...
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Women artists together: a graduate seminar with Professor Amy Tobin
This graduate seminar with Professor Amy Tobin of the University of Cambridge), based around her recent book Women artists together: art in the age of...
